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\n Presse<\/a>\n <\/li>\n
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$\"Kunden-National-Football-League\"$ <\/figure><\/div>
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$\"Logo$ <\/figure><\/div>\t\t\t<\/div>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Morphoria ist ein unabh\u00e4ngiges Designstudio mit Sitz in D\u00fcsseldorf. Seit der Gr\u00fcndung 2014 haben wir uns durch unsere kollaborative Arbeitsweise gegenseitig inspirieren k\u00f6nnen. Im Laufe der Zeit hat sich die Gruppe zu einer Art Schweizer Taschenmesser entwickelt, das eine Vielzahl von Fachgebieten integriert. Gemeinsam hinterfragen wir Konventionen und bieten kreative L\u00f6sungen f\u00fcr Kunstschaffende, Start-ups, etablierte Unternehmen und den Kultursektor.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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expertise<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u2022 Markenbildung
\u2022 Arbeitgebermarkenbildung
\u2022 Web und Interaktives-Design
\u2022 Animation
\u2022 Ausstellungen und Eventkommunikation
\u2022 Schriftgestaltung
\u2022 Redaktionelles Design<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Unser Anspruch ist es, visuelle Alternativen f\u00fcr Institutionen, Orte, Erlebnisse, Veranstaltungen oder Menschen zu entwickeln. Wir transformieren Wissen und Ressourcen in innovative Ausdrucksformen, die das volle Potenzial unserer Kunden widerspiegeln.<\/p>
M\u00f6chtest du mit uns \u00fcber eines deiner Projekte sprechen?
+49 (0) 211 99 61 69 85 \/ mail@morphoria.com<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u2022 Gewohnheiten hinterfragen geh\u00f6rt zum Prozess
\u2022 Am Anfang steht immer gute Recherche
\u2022 Definition und Neudefinition von Konzepten
\u2022 Flexible, aktuelle und effektive Systeme
\u2022 Zusammenarbeit mit einem starken Netzwerk
\u2022 Zuverl\u00e4ssige Expertise<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Wir verfolgen einen ganz individuellen Ansatz, bei dem wir uns auf das konzentrieren, was f\u00fcr dein Projekt jetzt und in Zukunft optimal und sinnvoll ist. Wir entwickeln effektive Branding- und Designstrategien, indem wir bestehende Erscheinungsbilder \u00fcberarbeiten oder von Grund auf neu entwerfen. Wir beraten dich w\u00e4hrend des gesamten Prozesses, vom Konzept bis zur Produktion, geleitet von Detailgenauigkeit und Qualit\u00e4tsbewusstsein.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\n \n\n \n \n
\n \n A\n <\/span>\n\n \n \n Aquazoo \u2013 Loebbecke Museum\n <\/span>\n\n \n \n <\/p>\n \n
\n \n B\n <\/span>\n\n \n \n Baba Green GmbH\n <\/span>\n\n \n \n \n Borderland Residencies\n <\/span>\n\n \n \n \n Bosch AG\n <\/span>\n\n \n \n \n Bundeskunsthalle Bonn\n <\/span>\n\n \n \n \n Bundesministerium f\u00fcr wirtschaftliche Zusammenarbeit und Entwicklung (BMZ)\n <\/span>\n\n \n \n <\/p>\n \n
\n \n C\n <\/span>\n\n \n \n Central Saint Martin London\n <\/span>\n\n \n \n \n Cologne Bicycle Group\n <\/span>\n\n \n \n \n Crealize\n <\/span>\n\n \n \n <\/p>\n \n
\n \n D\n <\/span>\n\n \n \n Das Druckhaus\n <\/span>\n\n \n \n \n Deaf Magazine\n <\/span>\n\n \n \n \n Deutsche Forschungsgemeinschaft\n <\/span>\n\n \n \n \n Deutsche Gesellschaft f\u00fcr internationale Zusammenarbeit (GIZ)\n <\/span>\n\n \n \n \n Deutscher Olympischer Sportbund\n <\/span>\n\n \n \n \n Die Grosse Kunstausstellung NRW\n <\/span>\n\n \n \n <\/p>\n \n
\n \n E\n <\/span>\n\n \n \n Ericsson\n <\/span>\n\n \n \n <\/p>\n \n
\n \n F\n <\/span>\n\n \n \n Fiat\n <\/span>\n\n \n \n \n Folkwang Universit\u00e4t\n <\/span>\n\n \n \n \n Fortuna Du\u0308sseldorf \n <\/span>\n\n \n \n \n Frauke Dannert Artist\n <\/span>\n\n <\/p>\n \n <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n \n G\n <\/span>\n\n \n \n Goethe Institut\n <\/span>\n\n \n \n \n Goethe Museum D\u00fcsseldorf\n <\/span>\n\n \n \n \n Gwangju Museum of Art Korea\n <\/span>\n\n \n \n <\/p>\n \n
\n \n H\n <\/span>\n\n \n \n Henkel\n <\/span>\n\n \n \n \n Hellotaste\n <\/span>\n\n \n \n <\/p>\n \n
\n \n K\n <\/span>\n\n \n \n K. West Magazin\n <\/span>\n\n \n \n \n Katjes Greenfood\n <\/span>\n\n \n \n \n Karls Restaurant\n <\/span>\n\n \n \n \n Klarna\n <\/span>\n\n \n \n \n Kestner Gesellschaft\n <\/span>\n\n \n \n \n Kultursymposium Weimar\n <\/span>\n\n \n \n \n Kunsthaus NRW\n <\/span>\n\n \n \n <\/p>\n \n
\n \n L\n <\/span>\n\n \n \n Landesanstalt f\u00fcr Medien\n <\/span>\n\n \n \n \n Landeshauptstadt D\u00fcsseldorf\n <\/span>\n\n \n \n \n Lanxess AG\n <\/span>\n\n \n \n \n Lars Breuer Artist\n <\/span>\n\n \n \n \n Lehmbruck Museum\n <\/span>\n\n \n \n \n List Gruppe\n <\/span>\n\n \n \n \n Literatur Distrikt \n <\/span>\n\n \n \n <\/p>\n \n
\n \n M\n <\/span>\n\n \n \n Messe Duesseldorf\n <\/span>\n\n \n \n \n MetaDesign\n <\/span>\n\n \n \n \n MetaManiacs \n <\/span>\n\n \n \n \n MTV\n <\/span>\n\n \n \n \n Museum Folkwang \n <\/span>\n\n \n \n \n Museum Kunstpalast \n <\/span>\n\n \n \n \n Museum Ostwall\n <\/span>\n\n \n \n <\/p>\n \n
\n \n \n <\/span>\n\n \n \n \n <\/span>\n\n <\/p>\n \n <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n \n N\n <\/span>\n\n \n \n Nexible\n <\/span>\n\n \n \n \n NFL Deutschland\n <\/span>\n\n \n \n \n NRW Forum\n <\/span>\n\n \n \n <\/p>\n \n
\n \n P\n <\/span>\n\n \n \n POLY Magazine\n <\/span>\n\n \n \n <\/p>\n \n
\n \n R\n <\/span>\n\n \n \n Riot Games\n <\/span>\n\n \n \n <\/p>\n \n
\n \n S\n <\/span>\n\n \n \n Spiegel TV\n <\/span>\n\n \n \n <\/p>\n \n
\n \n T\n <\/span>\n\n \n \n Telekom AG\n <\/span>\n\n \n \n \n Thalia\n <\/span>\n\n \n \n \n The Dorf\n <\/span>\n\n \n \n \n Theater Film Fest\n <\/span>\n\n \n \n <\/p>\n \n
\n \n V\n <\/span>\n\n \n \n Valorant Germany\n <\/span>\n\n \n \n \n VICE\n <\/span>\n\n \n \n \n Vivawest\n <\/span>\n\n \n \n <\/p>\n \n
\n \n W\n <\/span>\n\n \n \n Wellnest\n <\/span>\n\n \n \n <\/p>\n \n
\n \n Y\n <\/span>\n\n \n \n Yong Chang Chung Artist\n <\/span>\n\n <\/p>\n \n <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Auszeichnungen
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\n\n \n\n \n\n \n \n \n \n 2<\/span>\n <\/span>\n \n \n ADC Germany \u2013 Silver\n <\/span>\n\n <\/span>\n \n \n \n \n\n \n \n \n \n 2<\/span>\n <\/span>\n \n \n ADC Germany \u2013 Bronze\n <\/span>\n\n <\/span>\n \n \n \n \n\n \n \n \n \n 3<\/span>\n <\/span>\n \n \n ADC Germany\n <\/span>\n\n <\/span>\n \n \n <\/p>\n \n <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\n \n\n \n\n \n \n \n \n 1<\/span>\n <\/span>\n \n \n EBGE Design Award\n <\/span>\n\n <\/span>\n \n \n <\/p>\n \n <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\n \n\n \n\n \n \n \n \n 1<\/span>\n <\/span>\n \n \n European Union Diversity Award\n <\/span>\n\n <\/span>\n \n \n <\/p>\n \n <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\n \n\n \n\n \n \n \n \n 1<\/span>\n <\/span>\n \n \n European Design Award Silver\n <\/span>\n\n <\/span>\n \n \n \n \n\n \n \n \n \n 2<\/span>\n <\/span>\n \n \n European Design Award\n <\/span>\n\n <\/span>\n \n \n <\/p>\n \n <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\n \n\n \n\n \n \n \n \n 5<\/span>\n <\/span>\n \n \n German Design Award \u2013 Winner\n <\/span>\n\n <\/span>\n \n \n \n \n\n \n \n \n \n 3<\/span>\n <\/span>\n \n \n German Design Award \u2013 Special Mention\n <\/span>\n\n <\/span>\n \n \n \n \n\n \n \n \n \n 5<\/span>\n <\/span>\n \n \n German Design Award \u2013 Nominee\n <\/span>\n\n <\/span>\n \n \n <\/p>\n \n <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\n \n\n \n\n \n \n \n \n 3<\/span>\n <\/span>\n \n \n Red Dot Award \u2013 Winner\n <\/span>\n\n <\/span>\n \n \n <\/p>\n \n <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\n \n\n \n\n \n \n \n \n 3<\/span>\n <\/span>\n \n \n TDC New York Award \u2013 Winner \n <\/span>\n\n <\/span>\n \n \n <\/p>\n \n <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\n \n\n \n\n \n \n \n \n 1<\/span>\n <\/span>\n \n \n N.I.C.E. Award \u2013 Shortlist\n <\/span>\n\n <\/span>\n \n \n \n \n\n \n \n \n \n 1<\/span>\n <\/span>\n \n \n Germany\u2019s Digital Minds Award\n <\/span>\n\n <\/span>\n \n \n \n \n\n \n \n \n \n 1<\/span>\n <\/span>\n \n \n Marketing Award D\u00fcsseldorf\n <\/span>\n\n <\/span>\n \n \n <\/p>\n \n <\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Vortr\u00e4ge<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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KD Lounge, Konstanz, Germany \u2022 Symposium Artez, Arnhem<\/a> \u2022 UDK Berlin, Germany \u2022 CXI 19, Bielefeld, Germany<\/a> \u2022 Public Policy Exchange, Brussels, Belgium \u2022 Interactive Cologne, Germany \u2022 Lean DUS, D\u00fcsseldorf, Germany<\/a> \u2022 University of Aberdeen, Scotland \u2022 European Culture Forum, Brussels, Belgium \u2022 Adobe creative now, Munich, Germany<\/a> \u2022 Hochschule f\u00fcr Gestaltung, Stuttgart, Germany \u2022 Inklusion 2025, Aktion Mensch, Berlin, Germany \u2022 HSD University of Applied Sciences, Germany \u2022 XV Biennale de la mediterannee, Thessaloniki, Greece \u2022 Onassis cultural centre, Athens, Greece \u2022 University of Applied Sciences and Art, Germany \u2022 Behance Portfolio Review, D\u00fcsseldorf, Germany \u2022 Akademie f\u00fcr Kommunikation, Stuttgart, Germany<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\n $\"\"$ \t\t\t\t\t\t\t\t\t\t\t<\/body><\/html>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Presse<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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IdN Online<\/a> \u2022 IdN Magazine 03\/22 \u2022\u00a0 Page<\/a> \u2022 VICE<\/a> \u2022 Grafik Magazin 05\/22 \u2022 Novum \u2022 D\u00fcsseldorf Tourismus<\/a> \u2022 Designmatazz<\/a> \u2022 \u00a0 Printmag<\/a> \u2022 Pastel Nr. 5 \u2022 PAGE 01\/23 \u2022 PAGE 06\/21 \u2022 PAGE 07\/19 \u2022 Design Made In Germany<\/a> \u2022 It’s nice that<\/a> \u2022\u00a0 abdz.do<\/a> \u2022 Pioneers Layout Design \u2022 This is Grey<\/a> \u2022 Trendlist<\/a> \u2022 Designtagebuch<\/a> \u2022 The Dorf<\/a> \u2022 The Dorf Nr. 5 \u2022 D\u00fcsseldorf Wirtschaft<\/a> \u2022 RP Online<\/a> \u2022 Grilli Type<\/a> \u2022 LVR<\/a> \u2022 Experimenta<\/a> \u2022 LSN Global<\/a> \u2022 Sgustok<\/a> \u2022 AA13<\/a> \u2022 Grainedit<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Jobs<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Morphoria sucht zweimal im Jahr f\u00fcr die Dauer von sechs Monaten Praktikant*innen im Bereich Grafikdesign. Das Wintersemester beginnt in der Regel im September und das Sommersemester etwa im M\u00e4rz. Wir beginnen das Auswahlverfahren 2 Monate im Voraus. Bitte habe Verst\u00e4ndnis daf\u00fcr, dass wir au\u00dferhalb dieses Zeitraums nicht auf alle Bewerbungen reagieren k\u00f6nnen, obwohl wir unser Bestes tun. Sende deine Bewerbung mit Arbeitsproben als PDF-Datei (\u223c10 MB) oder als Website an jobs@morphoria.com<\/a><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00dcber uns Expertise Kunden Awards Vortr\u00e4ge Presse Jobs Morphoria ist ein unabh\u00e4ngiges Designstudio mit Sitz in D\u00fcsseldorf. Seit der Gr\u00fcndung 2014 haben wir uns durch unsere kollaborative Arbeitsweise gegenseitig inspirieren k\u00f6nnen. Im Laufe der Zeit hat sich die Gruppe zu einer Art Schweizer Taschenmesser entwickelt, das eine Vielzahl von Fachgebieten integriert. Gemeinsam hinterfragen wir Konventionen […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-212","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/morphoria.com\/de\/wp-json\/wp\/v2\/pages\/212","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/morphoria.com\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/morphoria.com\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/morphoria.com\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/morphoria.com\/de\/wp-json\/wp\/v2\/comments?post=212"}],"version-history":[{"count":10,"href":"https:\/\/morphoria.com\/de\/wp-json\/wp\/v2\/pages\/212\/revisions"}],"predecessor-version":[{"id":12444,"href":"https:\/\/morphoria.com\/de\/wp-json\/wp\/v2\/pages\/212\/revisions\/12444"}],"wp:attachment":[{"href":"https:\/\/morphoria.com\/de\/wp-json\/wp\/v2\/media?parent=212"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}